The record cover design created for his own music project shows the transformation between sound and image. The frequencies of five tracks each take a leading role in the design process. The organic shape on the front and the polygonal shape on the back of the record are transformed in the same way by all five overlapping frequencies. To create a transition from the entire album to the individual track, the polygonal form on the cover breaks into pieces. The five symbols on the insert are transformed by a single frequency of the respective track.